A.J. West sold his
positive films. He reported that he had made some 56,000 feet of
film
which he listed in a catalogue made in 1913 when the films
were sold.
"It was not long before began to feel that the business was
becoming too
involved for me to tackle by myself, and I was badly in need of a good
rest, so that when a Glasgow
firm asked my terms for letting them have the sole rights of hiring the
films in Scotland and the
Northern Counties, I replied that for a certain sum I was prepared to
let them have the rights for the
whole world, in other words to let them take over the whole business,
lock, stock and barrel. This
was agreed to, and I was paid a deposit on the total purchase sum,
which was to be paid by means of
instalments over a period of two years. In the meantime I kept the
negatives and only let the Glasgow
firm have the positives they needed for showing."
The
'Glasgow firm' mentioned in 1916 was distributor, James Joseph Bennell,
proprietor of: B. B. FILM HIRING SERVICE, 81, Dunlop Street, in Glasgow
(see 'The Bioscope' - Thursday 07 September 1916)
On the closure of the business, the film stock was then sold onwards to
the 'Argosy Film Co. Ltd' in 1917 a company also registered at 81
Dunlop Street on 2 August 1917 (See 'The Bioscope' - Thursday 20
September 1917 page 6)
which was in the film business through the 1920's but was liquidated in
1930. The business then passed to 'Audible Filmcraft' which was itself
wound up in 1931. It is believed that the positive film stock was
transferred from West to B.B. Hiring without completing the purchase.
Though it was
believed for a long time that all of Alfred West's films had been lost,
a number of clips and fragments have
survived. A number of film clips
likely to be part of West's Our Navy are now catalogued by the British
Film Institute and are listed at the foot of this page.
The
Internet Movie Database catalogues a large number of clips from 1898 and 1904,
though it is not yet known if this means that more material exists in
other archives. If material is found, please contact the webmaster of
this
website and the Wessex Sound and Film Archive in Winchester.
At
the foot of this page is an edited sequence of the extant films
which was set to music in 2011 by Charles Mauleverer of the Royal
College of Music. Charles Mauleverer is a descendant of the West family
through Alfred West's sister. The original 'Our Navy' film performances
were often accompanied by live music and sound effects, so this
recreation is wholly in keeping with the spirit in which they would
originally have been shown.
Stationer's
Hall Copyright assertions
In order to assert copyright of his films, Alfred West attached
sections of 35mm nitrate film to an application form which was held at Stationer's
Hall. These are believed to have been passed to the British
Film Institute Archives.
The clips have been preserved and photographed. These are the sources
of some of the animated GIF files below.
Longer clips There are also links to longer clips (some of which clearly
bear A.J West's studio imprint on the first frame to authenticate
them). The clips have been transcribed from Telecine to MiniDV format
to .AVI format - and then rendered into .FLV format. Higher resolution
versions are are available through the Wessex Sound and Film Archive at
Winchester, Hants.
Original
versions This list of fragments and clips currently known to be
preserved at the British
Film Institute, is cross-referenced where possible to their
descriptions in A.J.West's printed catalogue 'Life in Our Navy and Our Army' (PDF
Download 5Mb - Transcript Download) which is held at the British
Library as well as some of the frames preserved in the Public Record
Office. (in some cases this is conjectural because some of the
descriptions are slightly at variance with the content)
Sharing of films between
companies
Early film makers
shared and cross-marketed their films with each other selling sequences
to make up coherent programmes. This means that it is not always
possible
to infer the actual cinematographer from the company named as having
produced a sequence.
'Our Navy' is specifically mentioned
as a contributor to Charles Urban's portfolio in an article in the Kinematograph Weekly for 14/07/1905
"The Charles Urban Trading Co.
has just sent their new catalogue. It contains some 336 pages, an
increase on last year's issue of 134 pages. This year's production
comprises a revised list of high class original and copyrighted
bioscope films. Urban Films, depicting scenes from all countries; Urban
Educational Series, Geo. Star Films, and the best productions of
Messrs. Lumiere, G. A. Smith, West's "Our Navy," Williamson, Nordon,
and other makers."
This page from
Charles Urban's 1905 catalogue (courtesy of Luke McKernan) lists the
'West's Our Navy Ltd.' series as supplying the footage for the mocked
up sequence
purporting to show the 'Bombardment of Port Arthur' in the Russo
Japanese War.
A 'Warm Welcome'
from Alfred J. West F.R.G.S.
Before you start looking at the
clips, Alfred West will send you a smiling
welcome in this short clip taken by his Grandson, Tony Clover, in
1936 on 9mm cine film. Although he took hundreds of thousands of feet
of film during his life, this is the only known film footage of him.
'Another
party brings a 9-Pounder gun along the Beach and fire several rounds
out to sea' (75ft') NB - This clip, embossed on the first
frame as 'West & Son', depicts this activity in a parade ground at
Whale Island - the gun is afterwards dismantled along the lines of the Field Gun
competition
at the former Royal Tournament. That tradition started
in 1907 in its current form - so this displays its precursor by 2
years. It is likely that this training was part of the preparations
being made for sending the Naval Brigade to the Boer War which is the
activity commeorated in the Field Gun Competitions. Full clip curated at the British Film Institute (N.B.
those taking part are wrongly referred to as 'Soldiers' in the main BFI
title but correctly referred to in the description beneath)
Underwater
Explosions - Spar Torpedo boat in Fraser Lake, Portsmouth Harbour (6
Frame Fragment of nitrate film in Public Record Office as part of
assertion of copyright) Probably one of West's earliest sequences.
(NB - The first frame bears
the West and Son embossed
imprint)
8
57
63
394
Combined
clip - 3 scenes found together in archives and attributed to A.J.West's
'Our Navy' series. Full versions available from Wessex Film and Sound
archive at Winchester UK
Horses Bathing (slow
motion)
"Swimming Horses. Across a wide River. An endless
rope is stretched across to which the horses are tied and on the
opposite shore this rope is being hauled in. Those horses unaccustomed
to water protest, but the rope pulls on, and they have to plunge; but
they arrive safe and sound on the other side."
Outdoor Gymnastics (poor
quality)
'Picturesque Swedish
Drill' (Heavily restored - "The Navy's Cradle - The Royal Greenwich
Hospital School")
'Others
seek for any pleasure that may be going; the Pier has special
fascination for two twin souls, who watch with great interest two
ladies rinking very gracefully. They try to do the same, but being the
first time they have tried roller skates, the results are somewhat
exciting, certainly very humorous' (9 frames only)
(Strip kept as illustration in margin of 'Sea
Salts and Celluloid' autobiography, derived from Catalogue of 1913
34
241-242
'Torpedo
boat ....dash forward and discharge their deadly Whiteheads. There is a
terrific explosion' The battle rages in detail. One of our ships is
torpedoed and has a nasty list, but fights on. Another is like a
floating volcano with her rapid discharge of 12 and 6in guns.' The ship
was in fact a model used for promotional purposes.
In
the clip above, you will see a gunboat steaming from right to left, apparently
wearing the Japanese 'Sun' ensign. The flag was actually painted in
frame by frame. One frame has been missed out - probably deliberately,
and on this, the gunboat is clearly seen wearing the British
White Ensign. The sequence starts with a !The scenes appear to have
taken in Fountain Lake, near Whale
Island in Portsmouth Harbour, and may have been used to simulate a
programme about Naval action in the Russo
Japanese War
(1904-1905). The chalk
pit at Paulsgrove near Fort Southwick on Portsdown Hill to the
North is clearly visible.
National
Archives Reference: COPY 1/436/578
Masthead.
(6 Frame Fragment of nitrate film in Public Record Office as part
of assertion of copyright)
4
49
The
Turbinia (2 frames only) - from a picture of
the film stock located in contemporary account
?
National
Archives Reference: COPY 1/436/576
Fragment
of nitrate film in Public Record Office as part of assertion of
copyright showing sails and a bridge with man walking and sailor
ascending a ladder - animated below
National
Archives Reference: COPY 1/436/577
Field
Gun firing and evolution (6 Frame Fragment of nitrate film
in The National Archives as part of assertion of copyright)
(See first item above for a a fuller clip of which this is a small part)
National
Archives Reference: COPY 1/436/574
Field
Gun firing on Southsea Common (Queen's Hotel in background). 6
Frame Fragment of nitrate film in The National Archives as part of
assertion of copyright
Masonic Procession
along Fawcett Road
Southsea in 1902 . This 4 minute sequence is the longest (and
quite uncharacteristic) Alfred West film preserved to date - it was
discovered in the projection booth of a Portsmouth cinema and carefully
re-photographed frame by frame. It depicts the opening ceremony of St
Matthew's Church, Southsea, on 21 May 1902 (the church was bombed and
destroyed in the Second World War). It is filmed from a single static
position. This clip has been substantially reduced in quality for web
use. A better print is available from the
Wessex Film Archive at Winchester There's a detailed description at
The Hampshire Records Office. The clip is not
mentioned in
Alfred West's 1913 catalogue but was identified from markings on the
film and container.
The composer
Charles Mauleverer, RCM, a great great great nephew of Alfred West,
has written music to an edited sequence drawn from some of Alfred
West's surviving film - here's the YouTube version.
British Film Institute (BFI)
and other fragments with "Our Navy" connections
West's
company, through his staff member C.P.O. MacGregor was hired to
film and photograph the Ophir cruise. The Victoria and Albert is shown
as part of the record of the Prince of Wales' departure for Australia.
It's likely that this sequence
was taken to add some context to the sequences later shown to the King
at Sandringham. https://player.bfi.org.uk/free/film/watch-royal-yacht-victoria-and-albert-and-liner-ophir-1901-online
A long sequence from Huntley Film Archives
(open in new tab for full screen) which is labelled
by them as being by 'Alfred West'. (That information obtained by them
is from 'Gifford’s Encyclopaedia') The date claims to
be 1916. As late as that sequences filmed earlier were still being
hired out and being shown in small cinemas country wide, so this could
be a compilation of earlier fim assembled for such showings at tat time
Titled as "Torpedo Attack on H.M.S. Dreadnought," Film of attacks on
the 'Dreadnought' were a staple of the shows in 1907/1908. In fact this
sequence, supplied by the National Film and Sound Archive of Australia
as part of their "Corrick Collection", despite its title, shows no
attack. It is very likely an offcut of the opening of a longer
narrative sequence made up from various sources featuring foreign ships
spliced together to appear to be attacking H.M.S. Dreadnought.
See press descriptions of 11/04/1908 and 20/04/1908 in "The Register"
Adelaide, SA.
This is from the Huntley Archive and shows target practice at sea. A vessel towing a target
is seen.
Attack on Whale Island
This film has been formally credited
to Charles Urban rather than West. He appears to describe something
like this sequence in his 1913 printed catalogue so I have included it
more for showing the atmosphere and location than any claim to formal
attribution, "Naval Evolutions On Land
Attack on Whale Island
"The
ships are put out of action, and there is nothing to prevent the
invaders from landing except the land forces. Boats with guns and armed
men are rowed rapidly to the beach, the 12-pounder guns in the bows
clear the way as they approach and are landed, limbered up, and brought
into action, and foot by foot the ground is contested. Further
combatants follow, and so the attack goes on until the defenders have
to retreat before the overwhelming force. (225) This film gives a
graphic idea of how the guns are landed, and the Bluejackets, with the
rifles slung behind them, haul on the drag ropes one minute, firing
away the next .It is mimic, but looks deadly in earnest."
There was certainly more than one such event. The first, filmed by West
(advertised in 'London Daily News' on 07/04/1904) and this in 1907
probably marketed by Charles Urban advertising 'Life in Our Navy'. (The
Stage - Thursday 11 July 1907 P 10)